My thoughts on the Rural

Rural Arts & Artists

For the past four years, I have traveled 29,880 miles, for at least 660 hours, and went through 1.5 cars, to get a masters degree in Professional Studies in Arts & Cultural Leadership at the University of Minnesota, Twin Cities. 

I wrote a lot, thought a lot, and viewed a lot of rural communities, as I also taught in rural communities as a teaching artist through COMPAS, and showed my art work in galleries in Colorado, Wisconsin, and Minnesota. The landscape provided me with some questions, but the answers were often not presenting itself as easily. 

So I wrote my capstone on the question: Is it time to talk about arts funding and bias and barriers against the Rural? I don't like drudging up such questions, and frankly I was hoping to find my thesis statement misguided, but I found that even when unintentional, it was still something that is felt by many folks in remote areas, and frankly, those in power know it is true, but often are not allowed to admit it.

When I interviewed leadership, I knew that I could only use some of the information. I got more "off the record" comments, that said the truth, than was able to make it into my research. 

 
 Woodtick Theater http://www.woodtick-theater.com/ Akeley, Minnesota (c) Heidi Jeub, 2017

Woodtick Theater http://www.woodtick-theater.com/ Akeley, Minnesota (c) Heidi Jeub, 2017

 Barriers and a Cornfield, Somewhere in Nebraska, 2016, (c) Heidi Jeub

Barriers and a Cornfield, Somewhere in Nebraska, 2016, (c) Heidi Jeub

 Love Life, Chisholm, Minnesota, 2016 (c) Heidi Jeub

Love Life, Chisholm, Minnesota, 2016 (c) Heidi Jeub

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rural research

 

read my capstone